Every Disaster Made Us Wish For More
2017 MFA Graduation Exhibition
March 31 – May 6, 2017
USF Contemporary Art Museum
Kate Alboreo, Sea Legs, 2017. Oil on canvas. Photo: Will Lytch
This annual exhibition features Master’s Thesis work by the 3rd year Master of Fine Arts candidates in the USF School of Art and Art History. The 2017 MFAs are Kate Alboreo, Benjamin Whitney Buhl, Joshua Dodhia, Victoria Trespando Escobio, Brandon Geurts, Bahareh Khoshooee, Kate Kinder, Walter Eric Matthews, Hillary Jones McCullough, and Scott Owen Pierce.
Every Disaster Made Us Wish For More: 2017 MFA Graduation Exhibition is supported in part by the USF School of Art and Art History. The USF Contemporary Art Museum is recognized by the State of Florida as a major cultural institution and receives funding through the State of Florida, Department of State, Division of Cultural Affairs, the Florida Council on Arts and Culture, the National Endowment for the Arts, and the Arts Council of Hillsborough County, Board of County Commissioners. The USF Contemporary Art Museum is accredited by the American Alliance of Museums.
DOWNLOADS:
Exhibition Brochure | Exhibition Catalogue | Card
ARTIST SITES:
Kate Alboreo
katealboreo.com
Benjamin Whitney Buhl
benjaminwhitneybuhl.com
Victoria Trespando Escobio
vickytrespando.com
Brandon Geurts
brandongeurts.com
Bahareh Khoshooee
bahareh-khoshooee.com
Kate Kinder
katekinder.com
Walter Eric Matthews
walterericmatthews.com
Hillary Jones McCullough
hillarymccullough.com
Scott Owen Pierce
scottowenpierce.com
Victoria Trespando Escobio, Installation III - All in the name of what we don't know / Space Vacation, 2017.
Wood sculpture and video projections. Photo: Will Lytch
Victoria Trespando Escobio, Installation III - All in the name of what we don't know / Space Vacation, 2017.
Wood sculpture and video projections. Photo: Will Lytch
Benjamin Whitney Buhl, Sufficiently Distant Future Time, 2017.
Mixed media. Photo: Will Lytch
Benjamin Whitney Buhl, Sufficiently Distant Future Time, 2017.
Mixed media. Photo: Will Lytch
Bahareh Khoshooee, As doubt is a cognitive luxury, 2017.
Mixed media, performance. Photo: Will Lytch
Bahareh Khoshooee, As doubt is a cognitive luxury, 2017.
Mixed media, performance. Photo: Will Lytch
Bahareh Khoshooee, As doubt is a cognitive luxury, 2017.
Mixed media, performance. Photo: Will Lytch
Brandon Geurts, series of several paintings, 2017.
Oil on paper. Photo: Will Lytch
Scott Owen Pierce, There is No Such Thing as Now, 2017.
Spy cameras, camera stands, video monitors. Photo: Will Lytch
Scott Owen Pierce, Schematic Sky Memory, 2017. Archival inkjet print. Photo: Will Lytch
Joshua Dodhia, The Depths, 2017. Wood, steel, cement board, paint, fabric. Photo: Will Lytch
Kate Kinder, installation of several paintings, 2017. Oil, acrylic and pastel on paper. Photo: Will Lytch
Kate Kinder, installation of several paintings, 2017. Oil, acrylic and pastel on paper. Photo: Will Lytch
Walter Eric Matthews, installation of four paintings, 2017. Oil and acrylic on canvas. Photo: Will Lytch
Kate Alboreo, left to right: Gurgling Salt, 2016; Slipping Limbo, 2016; Dripping Fingers, 2016.
Oil and acrylic on canvas. Photo: Will Lytch
Kate Alboreo, left to right: Gurgling Salt, 2016; Slipping Limbo, 2016; Dripping Fingers, 2016.
Oil and acrylic on canvas. Photo: Will Lytch
Hillary Jones McCullough, left: Mountain / Asheville / January, 2017; right: Pick / Scratch / Fidget, 2017.
Archival inkjet print. Photo: Will Lytch